The Five Stories of Micro-Drama
The five story engines behind every micro-drama that's actually hooked an audience, and what they teach you about your next pitch, pilot or logline.
£27.00
In the space of a few months, Hollywood stopped watching micro-drama from the sidelines and started buying in. Fox Entertainment took an equity stake in Holywater and committed to producing more than two hundred vertical series. Former Miramax chief executive Bill Block launched GammaTime with $14 million in seed funding. Former WME and ABC Entertainment chief Lloyd Braun, ex-Showtime president Jana Winograde and former NBCUniversal entertainment chair Susan Rovner unveiled MicroCo.
That's three separate camps of senior Hollywood executives moving real money into a format most working writers still can't explain, and outside China, verticals are on track to generate more than $3 billion in 2025 alone.
If you write for film or television, you've probably scrolled past a vertical drama and dismissed it as a novelty, or watched one longer than you meant to and wondered what just happened. Both reactions miss the point. The format runs on five recurring story engines that are older than television itself, and a platform measuring, episode by episode, whether an audience taps forward or drops off has made writing craft more visible, not less.
I spent twenty years inside British television, a decade of it deciding which scripts got made at the BBC and UKTV. This briefing is the breakdown I wish someone had handed me the first time a format this fast moving landed on my desk.
Inside, you'll get the five story engines behind almost every successful micro-drama, with the explainer behind why each one works psychologically, on-screen examples you already know, and a prompt to apply it to your own script.
Inside you'll get:
the five-movement structure for plotting a 90-episode series
a fillable worksheet to plan your own
And a 30-line cliffhanger swipe file with six ready-to-adapt lines per engine.
You don't need to want to write a vertical drama to get value from this. Most of what's inside is about pace, hooks and structure, the same skills that sharpen any pitch, pilot or logline you write next.
This isn't for writers looking for a done-for-you script or a guarantee of a sale. It's a craft briefing, built to be read in one sitting and kept as reference.
Only £27. Delivered instantly as a PDF.
Inside you'll get:
the five-movement structure for plotting a 90-episode series
a fillable worksheet to plan your own
And a 30-line cliffhanger swipe file with six ready-to-adapt lines per engine.
You don't need to want to write a vertical drama to get value from this. Most of what's inside is about pace, hooks and structure, the same skills that sharpen any pitch, pilot or logline you write next.
