You spent months on your script. The dialogue crackles. The characters are alive.

Then someone asks "what's it about?" and you lose them in the first sentence.

That's a logline problem, and it costs writers more than they realise.

I spent 10 years commissioning scripts for BBC and UKTV. I've read hundreds of submissions. Most get rejected not because the writing is bad, but because the logline didn't land.

This guide shows you exactly what network execs need to see in that first sentence, with real examples from shows that got commissioned and a step-by-step process you can use today.

Free & Practical.

From someone who's been on the other side of the desk.